Posts in Visual Arts
Ruth Duckworth’s Masterpiece “Clouds Over Lake Michigan” Joins UChicago’s Collection of Public Art

Then the resulting work, Clouds Over Lake Michigan, is installed in its new home in the first-floor reading room of the Joseph Regenstein Library on the University of Chicago’s campus in 2023, the acquisition will be a homecoming of sorts: while the piece hasn’t been seen at UChicago before, its creator spent many years on campus, making important contributions to her field and the University. The mural comes to UChicago thanks to a generous gift from Cboe Global Markets.

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“Everyone is welcome”: Booth School’s world-famous art collection

“I’m going to show you a whole sequence of things that people now think of as art,” Canice Prendergast says to a group of staff, students, faculty, and arts appreciators in the lobby of the Harper Center. The regular tour led by the W. Allen Wallis Distinguished Service Professor of Economics is so well-attended that spots are raffled off, and with good reason—it’s a rare opportunity to explore the world-renowned art on display at the Booth School with the person perhaps most responsible for its presence in the building.

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Class immerses students in monochromatic art exhibition

A group of students sit in a white room filled with white art. The class clusters around a piece by Robert Ryman, who painted almost exclusively white paintings. Seated beneath the painting, co-teachers, Prof. Christine Mehring and Orianna Cacchione, gesture upward, prompting students to look closely. Look at the brush strokes. Is this really all white? What does the white allow you to see more of?

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Since 2011, the APL-CSRPC Artists-in-Residence program has centered Black and Brown artists working on Chicago’s South Side

All That Light celebrates the AIRs program. Originally conceived by Prof. Theaster Gates—himself an acclaimed artist—the Artists-in-Residence program is a joint effort between UChicago’s Center for the Study of Race, Politics, and Culture (CSRPC) and Arts + Public Life (APL), a community-centered arts organization based in Washington Park.

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What we’ve learned from a year of COVID-19

While the public health consequences of the pandemic have been among the most acute, the novel coronavirus has left no domain untouched: The arts have pivoted to virtual performances and programs, religious communities have found new ways to offer services, and lawyers have had to think differently about the government’s role in mitigating the crisis.

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Whoa de Whoa: The Gray Center’s “Another Idea” Comes To A Close

“I'm a potter in the morning, a painter in the noon, I’m a bureaucrat in the night time, and I am a lover when the moon is bright, whoa de whoa de whoa.”

On July 31, interdisciplinary sculptor and DoVA Professor Theaster Gates delivered a performance that marked the conclusion of the Gray Center’s online exhibition, Another Idea, as well as their Gray Sound Sessions series.

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Cauleen Smith’s Instagrammable, Anti-Capitalist Treatise

"Yes. The vaccine is incomplete. I share these books in the hopes that through study and conversation exchange occurs. Germs are swapped. Maybe we need more than one vaccine. Maybe I need your vaccine and you need mine. The thing is resistance. Resistance is the thing.”

-Human_3.0 Reading List Manifesto, Cauleen Smith

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Lunar Snails and Galactic Cocktails: Throwing A House Party on the Moon

The Moon has long been a muse for artists, poets, and lovers. Yet, might we also find the Moon a site for temporary retreat and respite away from the cruelties of Earth? Away from COVID-19? Away from capitalism? Perhaps the Moon’s frozen terrain offers fertile ground for revolutionary ideas to sprout and new ways of being to blossom.

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Drawing On and Gutting Your Bedroom Walls

As museums across the world transfer their programming efforts onto virtual platforms, museum “goers” are finding themselves in online viewing rooms, watching video tours, and downloading coloring book pages. Some conceptual art forms do not need to undergo this transformation and are more presciently suited to this moment.

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Puppetry, Mechanical Intimacy, and the Critical Power of Silliness: An Interview with Marissa Fenley

Marissa Fenley is a PhD candidate in English and TAPS (Theater and Performance Studies), as well as an ASCI Graduate Fellow. Lee Jasperse, a PhD candidate in English Language and Literature, as well as ASCI’s Graduate Management Fellow, interviewed Marissa on what puppets teach us about intimacy, how play and silliness enter into her scholarly process, and how a lifelong engagement with puppets inspired her dissertation project.

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